Is Oprah As Big as the Beatles Now? Kennedy Center Will Honor McCartney, Winfrey

Is Oprah as big as the Beatles? The Kennedy Center seems to think so. They’ve just announced their awards for this December, and the two big names are Paul McCartney and Oprah Winfrey.
Oprah, of course, gets this as part of her year long winner’s lap. Her show ends its run in May.
McCartney’s award is a long time coming. None of the Beatles are in the Kennedy Center. Obviously, John Lennon and George Harrison, sadly cannot be inducted. McCartney’s award represents his work and the work of the group, frankly. And this is his year for big honors. He was at the White House last spring to pick up the Gershwin Prize.
The other awardees this year are country legend Merle Haggard, choreographer Bill T. Jones, and, at long last, “Hello Dolly!” Broadway composer Jerry Herman.
Ironically, it was Herman’s hit song, “Hello Dolly!”–as recorded by Louis Armstrong–that fought the Beatles for the number 1 spot on the charts in 1964.  It would be very funny if producer George Stevens, Jr. got McCartney to sing “Hello Dolly!” at the show.
The Kennedy Center opted for no Hollywood names this year. Among some that were bandied about were Meryl Streep and George Lucas. Michael Douglas might have been a cool choice considering his illness, and that he’s having a banner year with “Wall Street 2″ and “Solitary Man.”
In music, some fans were hopeful of an award for Jerry Leiber and Mike Stoller, the legendary songwriting team. This is their 60 th anniversary. But there’s always next year.

It’s Colin Firth’s Turn for the Oscar as “King’s Speech” Triumphs

I wish I could be in Toronto on Friday night when “The King’s Speech” is met with thunderous applause and standing ovations. (I don’t arrive until late Friday night.)

Tom Hooper‘s movie about King George VI, father of the current Queen of England, and his speech therapist, is going to rock the festival, just as it has Telluride It’s one of those Best Picture nominees that is just perfect in every way. Stars Colin Firth, Helena Bonham Carter, and Geoffrey Rush–not to mention Timothy Spall, Jennifer Ehle, and Guy Pearce–just take your breath away individually and as an ensemble.
Hooper is well known for his Emmy award winning work directing mini series for HBO. He was behind “John Adams” and “Elizabeth I” with Helen Mirren. Last year Hooper made his first feature, “The Damned United.” It was a good film but it didn’t foreshadow at all what Hooper had in mind. “The King’s Speech” is a fascinating hybrid of old fashioned film making done on the cutting edge. And the nice part is, you won’t have to see it three times to figure out what happened.
The story is simple: King George (Michael Gambon)– that’s Elizabeth’s grandfather–is dying. He will be succeeded by his son, Edward (known in the family as David.) But Edward is in love with an American divorcee, Mrs. Wallis Simpson. When the king dies, Edward takes the crown. But in short time he abdicates to be with her. Next in line is Edward’s brother, “Bertie,” Elizabeth’s father. Bertie is married to another Elizabeth, whom we came to know as the Queen Mother.
Helena Bonham Carter has made so many movies with Tim Burton that you kind of forget how good she is not being crazy, evil, or possessed. She is sublime as the Queen Mum, almost a revelation. She is there to support and guide her husband, who stammers ferociously and has deep seated fears about communicating with his public. That’s where Geoffrey Rush comes in, as the real life speech therapist Lionel Logue. The scenes with three of these actors in them–Firth, Rush, and Bonham-Carter–are the actors’ scenes to beat in this awards season.
So it’s a relief to report on “The King’s Speech.” There’s none of that usual last minute gasping and wondering that has accompanied  Oscar level films in the last few years. It’s the first week of September, and there’s some great to look forward to for holiday release. For the Weinstein Company, “The King’s Speech” is the much needed hit–commercially and artistically– to lift them back into the winners’ circle.
And for Colin Firth, who came close last season with “A Single Man,” it looks like 2010 is really his year.

Madonna’s Movie May Suffer from “King’s Speech” Comparison

There’s room in history for lots of different interpretations. But there’s rarely room in Hollywood for two movies on the same topic at the same time.
Madonna is still shooting a feature film for which she reportedly put up big bucks of her own. “W.E.” centers around the lives of the Duke and Duchess of Winsdor, juxtaposed with a modern American couple. The wife in the modern couple is named Wally, and she’s obsessed with Wallis Simpson. Call it “Wally and Wallis” after “Julie and Julia.”
Now, however, we have Tom Hooper‘s “The King’s Speech,” which is largely concerned with the abdication from the throne of King Edward–the Duke of Windsor–and his relationship with Mrs. Simpson.
Unlike the gauzy romantic view of the Duke and Duchess in “W.E.,” the couple don’t fare so well in “The King’s Speech.” That’s because the latter film sticks to history. The couple were Nazi sympathizers, and not too bright. Edward was only interested in Mrs. Simpson, not in the British public. In “The King’s Speech” he is being led around by the nose by Mrs. Simpson, who is described as promiscuous. “She shares her favors with others,” is how it’s delicately worded. Theirs is not a great romance, but a big mess.
One of the best moments in “The King’s Speech,” is when Prince Albert–soon to be King George VI–and the soon to be Queen Mum attend a wild party thrown by Edward and Mrs. Simpson at Buckingham Palace. Albert (Colin Firth) asks Edward (Guy Pearce) what he’s been doing on the throne. Edward thinks about it. “King-ing.” he replies vacantly.
Lucky for Madonna, “The King’s Speech” will be just about done with its run next spring before “W.E.” is ready to be seen.